Screwball account of the legendary psychologist's life leading up to his ground-breaking theories.

Starring Sigmund Freud is a video memento for Sigmund Freud's little-known film career. Based on an essay John Menick published in Frieze in 2011, the video collects the dozens of appearances that the character of Sigmund Freud has made on small and big screens. After the 1950s, when pill vials replaced analytic couches, the father of psychoanalysis found a second career impersonating himself in everything from a John Huston clunker to a Star Trek episode. The video suggests that maybe it is in front of the camera, alongside surgically enhanced starlets and CGI chimeras, that “Herr Doktor” will find his final resting place. This video was produced by the Kadist Foundation and commissioned by dOCUMENTA (13).

Sigmund Freud's revolutionary ideas transformed our conception of the mind. Yet, fears and obsessions wracked the father of psychoanalysis. His theories continue to inspire debate, even as the discipline he invented drifts farther from his work. Through personal letters, diaries and interviews with biographers, psychiatrists and Freud's grandchildren, this documentary explores the life of the man who was once derided as the doctor of love.

A tongue-in-cheek documentary that goes "behind the scenes" during the production of Federico Fellini's film "Amarcord" (1973).

The Secret Diary of Desmond Pfeiffer is an American sitcom that aired on UPN in 1998. Before it was even debuted, the series set off a storm of controversy because of a perceived light-hearted take on the issue of American slavery.

In this allegorical fairy-tale, peaceful and warlike knights vie for the hand of a beautiful princess, while a discussion of disco goes on around them. She favors a peaceful knight, while her father and his advisors like the ones carrying around a lot of weapons.

An unemployed man who lives with his wife and overbearing mother-in-law sees an opportunity to relieve himself of the old bat, which tangles him in a maze of deception.

Emily is a girl trying to outrun a troubling past. She finds herself losing that race as she starts her freshman year at college. As she goes through the challenges of starting a new life she finds her murderous urges resurfacing. Hiding behind a facade she pretends to be just a normal girl; she just happens to be slashing her way through college.

Lyrical evocation of passages from the diary of Ashbel Green Simonton who, in 1859, arrived in Brazil with the purpose of dividing his faith amidst anguish, doubt and nostalgia for the lost unity, laying the foundations of Presbyterianism in the country.

A sequel to One Song a Day Takes Mischief Away (1970) set in 1964.